The sculpture “What You see Might Not Be Real,” by Chen Wenling, was displayed at a Beijing gallery Sunday. A bull ramming the biggest con man of all time, Bernie Madoff, into a wall. The huge cloud coming out of the bull’s rear symbolizes the danger of virtual bubbles in international financial markets. In a society based on desire and money, some people choose to create many false impressions, while others sadly fall for them.
Chen Wenling’s sculptures are the manifestations of extreme humanity and immaterial images in a consumption society. This recent series blurs the directness of the social metaphor in an interesting way. The reality of ‘Consumer Society’ is so indeed. The consumer culture brought by the development of Chinese economy and the resulting material abundance exerts profound influence on them both in terms of visual perception and cultural context.
His self extreme condition begins from the series of “Red Boy”. It is neither realism nor vanguard sculpture, but the self expression of Chen Wenling himself to the critical state of life. For example, dread, gladness, game and fancy are thebasic main motivations of his sculpture. This series of the “Red Boy” conveyshis experience in an autobiographic form. One is the allegorical sculpture forms and the other is the manifestations of extreme humanity.
source: chenling.com, odetoart.com